Another week under my belt using my time tracker and here’s what I’ve learned:
I’m spending too much time on writing projects that will pay me.
That sounds pretty dumbass, but bear with me for a minute.
I’m not against being paid for my writing. Quite the opposite — in 2017, I only submitted my personal essays to literary outlets that paid. There are some fabulous lit mags out there that don’t pay in anything except status, but goddammit, I was sick of giving away my prose for free.
[Poems I still send to non-paying markets. Because poetry. But I’m thinking of re-evaluating that position.]
As someone who’s paid her bills for 40+ years, I get very uncomfortable without an income stream. I suspect that’s why I’m inclined toward paying work. But what about my reason for quitting the day job? What about finishing my memoir of reuniting with my blood family? I’m halfway there, having published about 50,000 words’ worth of stories that can be chapters in that memoir.
Except that they can’t, not as they are written. I need to integrate those stories into a chronology with an eye to how they fit with the memoir’s themes. While I can send those individual stories to paying markets and be pretty sure they’ll make a few bucks, writing a whole book is a risky proposition economically. It’s a boatload of work with a small likelihood of a return.
For the past few weeks, I’ve pushed the hard memoir work aside in favor of easier, simpler, paying projects. Last week, similar to the week before it, I worked 36 hours on writing. But instead of the minimum 15 hours I set as a goal for working on the memoir, I hit a measly 3 hours.
[Image description: color coded spreadsheet tracking time spent writing]
I’m a slow writer. If it took me less than 40 hours to write a ten page story, I’d be very surprised. (Side note: I’ll be able to figure out how much time I really do spend on a story if I stick with the time tracker.) But because of the Law of Circular Logic, I’m likely to paid for new stories because I’ve been paid for my stories before.
A book manuscript is much more work than a story, and there’s no telling if it will ever be published or make dime one, even if you have a long list of short-form publications. It’s a huge gamble to spend valuable time on it.
The time tracker is like a food tracker. It shows you what you’re really eating. Or writing. Want the template? Fill out the contact form below with the comment “spreadsheet” and I’ll send it to you. And thanks for reading! Here’s a cute photo of a groundhog chilling out in a pipe.
[Image description: Groundhog chilling out inside a large metal pipe]
Time doesn’t seem to be on my side, but I keep trying to wrestle it over here as if it’s a new puppy and I can make it behave. Last month, I started working for myself as a writer, something I’ve planned and saved for since I was (much) younger than I am now. I imagined all the time in the world opening up to me if I didn’t have a day job, and all the progress I’d make on my writing projects.
But decades of working day jobs created a habit of writing at odd hours: early mornings, nights, and weekends. Breaking from that pattern has not been easy, even though I expected to have nights and weekends free now that I’m only working one job. Alas, I’ve felt like a failure already — working at odd hours still, and not making enough headway.
Like many people, I squander time on social media, mindless eating, and passive entertainment. When I’ve squandered enough, I get resentful when those I love interrupt my thoughts. As if those people (and dogs) are the cause of my fribbling. Harrumphing at my beloved partner and our pets is no solution. If I keep blaming my darlings, I’ll end up an isolated old lady who still hasn’t learned to manage her time.
So I turned to Auntie Google for info on time management strategies. The strategy I settled on for this month – a time tracker – brought me back to my days as a lawyer keeping track of billable hours. I’m not billing anyone; I’m trying to learn where my time is going. Here’s a screen shot of my time tracker for the week:
Lots of white space, huh? But it adds up to 38 hours of “work” as I’m currently defining it.
And I’m not even trying to track my thinking time, much of which occurs on long, solitary walks in the woods with my dogs.
If that looks like introversion, that’s because it is. I was afraid that working for myself as a writer might make it too easy to isolate myself from my community and even from other writers. So, my 2018 goals included time for community action, taking classes, and networking. I thought these would be the hardest goals for me to hit. Boy was I wrong, at least for last week. Those big gray blocks, 12 hours in all, are the time I spent away from my desk, networking with others.
Knowledge is power, of course, and I’m hoping that after a few weeks I can analyze the data in my spreadsheets to help me understand how and when I work, and whether I need to make any changes.
What’s your favorite time management technique? Inquiring minds want to know.
Last week was my grand-nephew Austin’s birthday. He would have been 19 years old. This is a story about him that was originally published in Issue 10 of the print magazine GRIST.
When Austin was four years old, we went swimming in Florida’s Ocala National Forest, not far from the springs where the early black-and-white Tarzan films were made, the ones that starred Johnny Weissmuller. Austin’s mother, my niece Theresa, wanted us to go to a place called The Run, which at that time was unregulated, but that meant another ten miles of driving, and I was tired, hot, and able to pay the entrance fee to the Juniper Springs State Park. We parked the car and walked down the shaded path to the spring, under live oaks draped with Spanish moss and resurrection fern, past palmetto thickets. Austin went barefoot on the path’s cool sand, and so did I.
As soon as the water came into view, Austin ran straight to the edge of the limestone rocks and dove in head first. I followed him in a panic because I didn’t know he could already swim. The water was so clear then, the underground cave where the spring rushed forth was visible, and so was Austin, his little stick legs snapping straight and then drawing up in right angles like a frog’s. He was headed down, down, down toward the source, and I held my breath with him as Theresa caught up with us, chatting with two bikers who had walked up the path behind us. Why didn’t I dive in after him? He looked so sure of himself, I suppose, but my lungs were fit to burst when he surfaced and shot over to another ledge. He climbed up onto an outcropping, his limbs shining with water, his little toes grabbing the rough stone, and then he dove back in again, as if the only world that mattered to him was the one below the surface.
“I been to Indiana,” I heard Theresa saying to the bikers, “but it was too damn cold for my blood.” She had called me once from Indiana to tell me someone had taken off with the car I’d given her, a little Saturn sedan with almost 200,000 miles on it that had taken me from Boston to Savannah to North Florida year after year. When Theresa lost custody of Austin for the first time, she was living in the Ocala National Forest, not far from this spring, and the boyfriend who had been driving her around was dead, his guts blown away by an angry man with a shotgun while Austin looked on. That shooting put Austin into foster care, and it put Theresa on the path of trying to get him back. I knew transportation was critical for a teenage woman who was trying to work and trying to stay straight and trying to get her son back. I was getting a new vehicle, and the Saturn was a four-door that would easily accommodate a car seat. It was the right thing to do, but the car didn’t last her very long.
Austin kept diving down toward the mouth of the cave. He was a beautiful child with his mother’s thick blond hair, and the long, slim frame he shared with her that pops up only occasionally in my family. Most of us are compact, built for the long haul on short fuel. I dove into the spring; the water infused my skin with its fresh chill, and I paddled around with Austin, grateful for his squeals of delight when I splashed him, and squealing myself when he pretended to be a shark sneaking up on me. Without asking, it was impossible to know whether he remembered the shooting. He had been at the age when some memories stick forever and others are easily rinsed away. I hoped his memories of days like this, of swimming in the clear water, would drown out the blood and screaming.
A year later, I went to pick Austin up outside of Savannah in Garden City, at a house Theresa was staying in. I had two other young kids with me, Austin’s cousins, and the plan was for them to spend the weekend together. The house had once been a single family bungalow, but it had morphed into a rooming house. The neighborhood was just off of Route 80, a short walk from the restaurant where Theresa had just started as a waitress. Theresa had one room for herself and Austin. Her father, my brother James, had another room, but the three or four remaining rooms were taken by people I didn’t know. The place made me skittish as soon as I walked inside. A bittersweet, burnt odor permeated the house, something I recognized but could not at first identify.
“Okay, Austin,” I said, after giving him and Theresa a hug, “pack up your stuff.” I expected him to be prompt and competent, maybe because I remembered his adult demeanor at the spring, or maybe because I had an idea of him being older than his years, but he whined for his momma to help him, and she did, with a motherly air that seemed out of place in this room where the windows were covered with sheets.
“Smells like crack in here, Theresa,” I said, “like it’s in the walls.” The walls were papered in a style that looked left over from the 1940’s: palm leaves and hibiscus on a beige background. At the ceiling and at the edges, the paper curled and rusted.
Theresa pulled herself up to her full height and arched her back. “What you mean by that, Aunt Michele?”
“I mean it smells like crack in here,” I said, just as someone began tapping on the front door.
A man in a nearby room yelled, “Do not let that motherfucker in the house!” More tapping. Another, louder, “Do not let that motherfucker in the house.” It kept up, like a call and response, the tapping and the cursing.
The kids and I stood in the hallway outside of Theresa’s room. A white man who looked to be in his fifties, wearing a dingy t-shirt, jeans, and flip flops ran past us. Spinning like a sprayed roach, he made a circuit around the kitchen and the hallways, doing his part in the call and response, varying the emphasis on each word. “Do NOT let that motherfucker in the house” shifting to “Do not LET that motherfucker in the house,” shifting to “DO not let that motherfucker in the house.”
“Don’t pay any attention to him,” said Theresa. “He’s just crazy.” She finished packing Austin’s bag. I grabbed it, and herded the kids toward the front door.
Through a window, I saw a handsome young black man on the porch. He wore a Chicago Bulls t-shirt over long shorts, and his neck was hung with gold chains. He was the person who had been tapping on the door. He was the motherfucker. I saw him tap again and lean in as if listening. I scooted the kids behind me and opened the door. The man smiled big and cheesy at me.
“How you doin’?” he asked.
“I’m good,” I said to him.
“No, really,” he said. “How you doin’?”
“No, really,” I said. “I’m good. I got some kids here, and we’re about to leave.”
The man looked behind me at the kids and then stepped back. He wore enormous red and white sneakers, and out of the corner of my eye, I saw Austin and my other nephew appraising them.
“Thank you,” I said to the man. “C’mon, y’all.”
The kids filed out the door in front of me, and I heard the man yell into the house, “How y’all doin’ in there?” as he walked inside. One more “Do not let that motherfucker in the HOUSE” followed us out to the car.
We drove to a water park out by Statesboro, and I splashed around with the kids, wondering all day how I could bear to bring Austin back to that house. Luckily, I had time to think because the plan had been that he’d stay overnight with me and his cousins. As night fell, we drove back east through Savannah on Bay Street, and headed toward my Uncle Charles’ house on Wilmington Island. At a traffic light, Austin crowed from the back seat, pointing to his left. “That’s the way to River Street!” He was right, even though he’d only been there once. Like a lot of us, he was born with a compass in his head that told him when he had arrived somewhere he’d been before.
The next day, I went to the restaurant where Theresa was working to tell her I wasn’t bringing Austin back to the Garden City house. It wasn’t fair to confront her at a job she’d just gotten; the management would have no attachment to keeping her on, so she probably wouldn’t make a scene. From my own waitressing experience, I knew business would be slow at about 3:00 pm, and that Theresa would be doing her sidework, cleaning out coffee pots and filling salt and pepper shakers and ketchup bottles for the dinner crowd. I knew she’d be able to talk to me, but not for too long.
We sat at a table in the back of the restaurant where she was rolling silverware into napkins. The silverware was fresh out of the dishwasher, and still warm. “Honey,” I said, “that house is not a safe place for a kid. We’re keeping Austin until you find a better place to live.” Using the royal “we,” as in our whole family, was unfair, too. She looked at me blankly. She’s drained out, is what I thought. I bent over to hug her, and she didn’t get up out of her chair.
But that night, Theresa came looking for her son. She had lost her afternoon flatness, and she was adamant. “He’s what I live for,” she said. When he ran into her arms, how could I stand between them? I couldn’t. Neither could anyone else.
A month or two later, the house in Garden City spun into a chaos even Theresa couldn’t live with. She had a new man, and when that man beat her, my brother James stabbed him through the left kidney. It is a testament to that man’s reputation for violence that my brother was never charged with the stabbing, and only questioned briefly by the police. Theresa brought Austin back to the Ocala National Forest, where he had been born, where we had swum in Juniper Springs.
The Forest is deep and diverse, colored in every possible shade of green. It contains four National Wilderness areas and is home to otters, armadillos, black bears, white-tailed deer, bobcats, cottonmouths, and alligators. People live there, too, mostly in trailers on rented land. There is plenty of privacy, as most of the land is inaccessible by roads, and there is a long tradition of large-scale marijuana cultivation in The Forest. In the 1970’s and ‘80’s, several of my brothers worked for people who ran pot farms. Later, The Forest became home to people importing cocaine, heroin, pharmaceuticals, and finally to meth labs. In and around the Forest, fifty-seven meetings of Narcotics Anonymous are held per week. In the nearest towns of any size, Silver Springs and Ocala, you can attend meetings of Narcotic Anonymous morning, noon, and night.
About a year later, Austin was removed from Theresa’s care again, after a man she was staying with shot himself in the head. Austin witnessed that, too, and soon after, his father, who’d had little to do with Austin, was murdered in prison. The father’s parents were heartbroken. Austin was all they had left of their only son, and they begged Theresa to let Austin come live with them on their spread in rural central Florida. Eventually, they also talked her into letting them adopt him. “They’re good people,” Theresa told me, “and they can do more for him. He’s in private school. He’s playing football. They live on fifty acres with four-wheelers and everything.”
I saw the photos of him wearing a polo shirt with the school’s logo emblazoned on a pocket, and of him wearing his football uniform, holding his helmet, and another of him with his arms looped around the shoulders of two other boys. In all of the photos, he is smiling broadly, the resilient child who has bounced into a stable living situation.
Theresa stayed in touch with Austin, but mostly what she had left of motherhood was her love for him and his name tattooed on her neck. I was sorry to see another of our family’s children given up, but I also breathed a sigh of relief. Austin was prone to happiness and affection. He would, I was certain, thrive in a steady-state environment. He would be safe.
Whenever someone from my family calls, my gut drops because it’s so often bad news. Five years after Austin moved in with his grandparents, I was on Monhegan Island, off the coast of Maine, getting ready to attend a meeting of people interested in environmental issues. When my phone rang, I took the call, although I don’t always do that. It was my sister. There had been an accident. Austin had been visiting relatives with his grandparents in Colorado. There had been a dirt road, a four-wheeler. Head first. A broken neck.
He was fourteen.
He’s been dead for almost two years now. I’ll be with Theresa soon because I’m back in Florida, making another new life for myself in another new job. Like her, I find the North too cold for my blood.
Today I kayaked down Juniper Run through one of the Forest’s National Wilderness areas. Afterward, I walked down to the spring to rinse the sweat from my skin. The path is broader but still shaded by the live oaks, which are lush with resurrection fern because it’s been a rainy summer. The spring looks changed; the state has built a concrete enclosure around the waters, creating a tame, circular swimming pool. The rough edges of the limestone have been smoothed, but the water is as I recall it: clear and cool and infused with the presence of Austin. I can still see him kicking down toward the mouth of the cave.
Diverse groups — including women, LGBTQ people, Muslims, African Americans — have been increasingly targeted by online harassment and hate speech. For example, the Anti-Defamation League, one organization that tracks hate speech, found a sharp rise in anti-Semitic online content since the 2016 presidential election. Over the past year, like many other people, I’ve been moved to report hate speech and threats of violence I see on Twitter. In response to an onslaught of such reports, Twitter tightened up its rules. Here’s the current Twitter statement about violence, which went into effect about a month ago.
Violence: You may not make specific threats of violence or wish for the serious physical harm, death, or disease of an individual or group of people. This includes, but is not limited to, threatening or promoting terrorism. You also may not affiliate with organizations that — whether by their own statements or activity both on and off the platform — use or promote violence against civilians to further their causes. We will begin enforcing this rule around affiliation with such organizations on December 18, 2017.
And here’s the rule about what I call hate speech.
Hateful conduct: You may not promote violence against, threaten, or harass other people on the basis of race, ethnicity, national origin, sexual orientation, gender, gender identity, religious affiliation, age, disability, or serious disease. Read more about our hateful conduct policy.
One of the Twitter users I reported was David A. Clarke, the sheriff who’s known for wearing fake military medals and for claiming he’ll be hired by 45 any day now. Clarke’s Twitter account was, in fact, suspended at the beginning of this year, but he was back online after deleting a few offensive tweets. Twitter’s message to me came almost 20 days after they’d reinstated him.
I still believe Clarke’s tweets threatened violence, but now I’m wondering why Twitter chose to sanction him and not (apparently) the other users I reported, who were all white men. Clarke, not surprisingly, has pooh-poohed his sanctioning, inviting readers to visit his web page, which he calls “Twitter censor-proof.”
Should I, or you, continue to report tweets that are hateful or that threaten violence? Do we really need more laws and regulations? Do we have a responsibility to help create community standards for acceptable social media speech?
Winter has been good to my poems, with one little baby out in the world in Stirring, and another out in SWWIM, and two out in Street Light Press. But aside from the fact that all these journals begin with the letter “S,” is some other similarity playing a quiet tune here?
When I get a piece published somewhere, I read the entire issue of the journal. Inevitably, I’ll come across a poet whose work sings to my existing tastes or whose work surprises me. (Check out Carolee’s poem in Stirring, for example!) This, in turn, will often push me to read more work by those poets, in other journals, which, in turn, gives me ideas for new places to send my work.
Submitting work to journals and contests and publishers (lions and tigers and bears) is one big pain in the ass. First, you have to locate journals that are a good match for your work. My go-to spot for that is Trish Hopkinson’s blog, A Selfish Poet.
Then come the tasks like record-keeping and filling out online forms, not to mention opening yourself up to rejections. If you’re like me, and you get lots of rejections, you need to know about lots of journals.
What makes submitting easier? Two things come to mind: a system and some sisters.
New online communities for writers seem to pop up daily. I’m drawn to those that are created by and for women, like Women Who Submit on Twitter, which offers info on open submissions and “submission parties,” both F2F and virtual.
Where do you go for information and strategies on sending out your work? Help us out here, so we can get back to the fun part – the writing.
I’ve dreamed of living a life of reading, learning, and writing since I was a young girl, and this is the year that my dream becomes a reality. Although my jobs over the past 40+ years often allowed me to make use of my writing and research skills, I’ve struggled to make time outside of the workday for creating my own poems, essays, and stories.
I did the getting-up-at-5 am thing, and the hustling-to-complete -a-manuscript-during-academic-breaks marathons, and the-writing-at-night-until-your-eyes-close, all of which were fruitful, but exhausting. I knew, all along, that the only way to have enough time for writing everything I wanted to write was to make it my full-time vocation, and that’s the destination I’ve been working and saving toward all my life.
I mention the working and saving part because I don’t want to give the impression that I’m some daring iconoclast. I’m a sixty-year-old woman with two chronic medical conditions, and I worry about health insurance as much as the next person. But 2018 is the year I stop living in fear, the year I stop trading what could be my writing time for the security of a full-time job working for someone else, the year of now.
Resigning from my position with the Women’s Economic Stability Initiative at Santa Fe College has been a difficult decision, and not just because I’m letting go of the paycheck and benefits. My co-workers there are now friends — some of the kindest, bravest women I know. In helping program participants to achieve their career dreams, I felt good about being one of many people working to change the economic inequities that exist in our community. And, I learned a lot about employment trends and the challenges faced by older workers.
It’s not the first time I’ve jumped into an entrepreneurial role, but my jumping skills are a bit rusty. In 1982, at the age of 23, I started a law practice in the Boston area and financed it at first by part-time bartending. After fifteen years and two more graduate degrees, I left the practice to devote myself to teaching writing and critical thinking skills to college students here in Florida, out West, up North, and in Japan.
As a freelancer, I’ll continue to write memoir, poetry, and researched political articles, but I’ll also be offering concise, accurate, audience-centered content to nonprofits and businesses. Wish me luck! And affordable health care for all!
Back in the day, whenever life got too crazy-making, my go-to refuges were the library and the bar. On a really bad day, I might visit both. Although bars don’t figure prominently in my life now, I still turn to libraries for safety, for diversion, and for an atmosphere of reason. I turn to books in hope of making sense of this crazy-making world, or my own crazy-making brain. And I turn to books to better understand evil, a purpose more imperative now than at any other time in my sixty years on earth.
In the last year, I’ve read some spectacular books. In this same period, I’ve witnessed unthinkable attacks by the American government on Americans, and on American values of community, compassion, and equality. I haven’t felt at ease in reading for pleasure only. Staying alert, informed, and active has taken on a new urgency for me – but man-oh-man do I need the escape of being swept up in someone else’s story.
The books listed here (in no particular order) both pulled me into their stories and explicitly engaged me with the public world. They gave me strength and bits of wisdom to carry back to the fray, and they gave me a more comprehensive understanding of some of the major issues we face in the 21st century: patriarchal violence, racism, environmental degradation, and the legacies of personal traumas visited on our communities.
Stamped from the Beginning: a history of racist ideas by Ibram Kendi
I heard Dr. Kendi read from his book while he was still on the faculty at University of Florida, near where I live. He is an incandescent speaker who connects easily with his audience, and he strikes a conversational tone in the book as he imparts the history of racism. Dr.Kendi’s thesis is fresh, and clear: racist policies create racist ideas and beliefs, and they all feed on each other. I was a history major in college, and I’ve read widely since then on the history of the South, but I’ve never had that history presented to me through this lens. The book made me question myself and my community and commit to anti-racist work.
Hunger by Roxane Gay
Like Roxane Gay, I’ve written memoir, so one thing that truly fascinated me about this book was watching her choices as a writer, and how she built suspense by telling the reader what she wouldn’t reveal – and then, sometimes, revealing it. Aside from the craft lessons the book contains, the story of Gay’s hunger, her relationship to her body, and the wider culture’s reactions to her is engrossing. In some sections, I felt swept up into her life and thought, and throughout the book I found my assumptions about trauma and body image both reinforced and challenged. This is a book of significant complexity.
Barkskins by E. Annie Proulx
Sometimes I want a long book I can fall into. At 736 pages, Proulx’s latest novel is one of those, and although it took me a while to get through it, whenever I picked it up, I was right back in the scene. Proulx is a demon for facts, and in reading, I learned a whole lot about the timber industry’s beginnings, and what might be its end. This is a family chronicle drawn inside the human dream of entitlement – entitlement to resources, entitlement to the earth’s bounty, entitlement to profit. By necessity, then, it lays out the history of depletion.
The Enchanted by Rene Denfeld
This novel explores the interior life of a man on death row, revealing bit by bit the events that led to his incarceration. In the process, Denfeld reveals that yes, we are all of us human, no matter our crimes or our fantasies. Without ever falling into a didactic mode, the story keeps insisting on the deep connections we all share. I was wholly in the spell of this book.
The Child Finder — also by Rene Denfeld
It was a happy day when I came across Denfeld’s work, and the prospect of a third novel by her makes me even happier. The Child Finder is a can’t-put-it-down puzzle. Together with the protagonist, you will be frantic to find the missing child. Beyond the compelling plot line, the novel offers insights into the nature and longevity of trauma and the ways that our personal obsessions can bleed into our work.
A Little Life by Hanya Yanagihara
I listened to this book in 15 minute increments on my commute to and from work. This was probably a good thing; it allowed me significant breathing room between sessions. Informed by violence, this novel still manages exquisitely tender depictions of friendships among five men who meet as college students. One friend, Jude, survivor of a horrendous childhood, is both the protagonist and antagonist of this story. His struggles, his intelligence, and his decisions will stay with you.
* * *
I wish all of us all the best for 2018.
It’s winter now, even here in North Florida where I write from. We’ve earned a little respite. Time to snuggle down with a good book.
This week, two of my more political poems were published in the international journal Tuck. One of them, “Hilton Head November,” caught the attention of a reporter for a regional publication that serves Hilton Head and surrounding communities. I visited Hilton Head one month after Hurricane Matthew and a week after the 2016 presidential election. One thing I saw –
At a great pine blow-down,
walls ripped aside like playing cards
expose gated communities
as if they were mere women.
The reporter contacted me to do an interview about how the poem came to be and whether it was critical of Hilton Head’s affluence. He thought my perspective might interest readers and offer a different viewpoint from the ones they usually come across.
In the course of working in English Departments at various colleges and universities, I’ve heard many a screed against mixing politics and poetry. Not surprisingly, in the 1970’s and 1980’s, these diatribes were often directed at women writers (Adrienne Rich, Audre Lorde) who “used” poetry to transmit political messages about the women’s movement, lesbian culture, and race and class divisions. Some literary critics have argued that any attempt to insert a message into a poem violates the purity of poetry as an art form.
I find these arguments specious at best, and I love using an academic word like “specious” (means “seems right at first glance, but actually wrong” or “attractive on the outside, but deceptive) to describe them. Audre Lorde once said “The master’s tools will never dismantle the master’s house,” and I believe her, but I still love throwing the master’s words back at him. Hard.
Poetry, like all of the arts, has always been used to advance political positions. Poetry, like all of the arts, is by nature impure. All kinds of nasty stuff gets mixed into the creative process.
Consider two artists who are dead and beyond reproach: Michelangelo and Shakespeare. Michelangelo painted for the Renaissance-era Catholic Church, a powerful political force. He created images of God and other characters from the Bible that provoked a useful and appropriate sense of awe in the populace. Many of Shakespeare’s plays center on political institutions (monarchy, anyone?) and struggles for control. It’s nothing new.
Political poetry is experiencing a resurgence in Trump-era America, and I’m grateful. It challenges our assumptions and brings us together as we speak and act against the injustices and oppressions of yesterday and today.
But don’t get me wrong: I’m also a true believer in the power of confessional literature to widen our understanding of what it means to be human. I admire the brave writers who examine their personal lives, bring old secrets out into the light, and share their desires, mistakes, and vulnerabilities. Because as I learned from the activist/theorist/artists/writers of the 1970’s and 1980’s, the personal – no matter how much we try to insist it’s unique – is always political.
Earlier this week, the Gainesville Sun published an op-ed I wrote about why Florida should be supporting its older workers. Investing in 50+ workers is a smart move for all states though — by 2022, 35 percent of the American workforce will be over 50 years of age.
Older job-seekers need training and education in high-demand skills to stay or become competitive in today’s job market. Ongoing training, especially in fast-changing technology, is a feature of today’s work environment for employees of any age.
Some older career-changers may also need general education training before they can succeed with specialized training for high-tech, knowledge-based careers.