Fresh Confessions

Perhaps especially because I’m a native-born #FloridaWoman, it’s a delight to have my review of Leah Claire Kaminski’s chapbook, Penninsular Scar, in this month’s Tupelo Quarterly Review

peninsula_1024x1024The title of the review, “Fresh Confessions,” refers to an observation about how the nature of confessional poetry has expanded in the twenty-first century, as exhibited in Penninsular Scar.

Like Sexton and Plath, Kaminski employs a set of private symbols that may accumulate meaning over time for the reader who follows her work. “Cypress,” for example, appears in many of the poems as a strong, durable building material that nevertheless falls to the same destruction as the rest of Florida. Unlike the confessional poets of the 20th century, however, Kaminski proceeds with a distinctively contemporary aesthetic. The confessions contained in the poems, even those contained in conversations with “my therapist,” avoid a coherent narrative by questioning a sense of self at the center of consciousness and employing syntactical disruption.

Read the full review here.

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