From left: Great-grandmother Rosa Farmer, grandmother Ulma Lee Christie, great-aunt Ida Mae Farmer, and
great aunt Grace Farmer.
Excerpt: The book is radical in both form and content, only in part because disdain for politics, and for politic behavior, is a characteristic that many of the novel’s women share. Although a historical novel, this is most emphatically not a family saga. None of Lambert’s main characters are weighed down with children, and so the conflicts they face are not about how to survive, or whether to reckon with their own deviance. They see themselves as outside of such concerns. Instead of human error or betrayal leaving indelible marks on generations, it is the land and water, the plants and the animals, that leave their mark.
Come to the launch party and reading for my poetry collection, Back East! The party starts at 7:00 pm on Friday, November 1 at Longfellow’s Bookstore at One Monument Square in Portland, Maine.
The book is available from the Moon Pie Press website and at Longfellow Books in Portland, Maine, and other independent bookstores.
Baron Wormser, the contest judge, said this about the collection: “This is the real thing–intelligence and feeling working together in genuine concert.”
Betsy Sholl says “Back East includes a chorus of voices, each making its own hard reckoning on the cliff edge of character and fate, loss and second chance…. Among the great pleasures in this book are its fresh perceptions, its moral seriousness, and its formal beauty.”
The cover is a wonderful painting by Lisa Delaney of Cranberry Peak, part of the Bigelow Range in Maine.
Yippee! My full-length poetry collection, Back East, will be published this fall by Moon Pie Press. Story here.
Baron Wormser, the contest judge, says ““Michele Leavitt uses the finite resources of poetry—rhythm, form, word choice, sound—to create infinite effects. Her touch is light but reverberant. She has been around numerous blocks and is not only sadder and wiser, but more present to the tragicomedy of transience. This is the real thing—intelligence and feeling working together in genuine concert.”
“The Swizzle,” about a suicidal client and a conflict with a court psychiatrist, is published on page 34 of the summer issue of So to Speak: A Feminist Journal of Language and Art:
The title is a bit misleading. Online at http://www.hippocampusmagazine.com/2013/02/kitten-sack-by-michele-leavitt/
Umbrella, a wonderful online journal that has been around (seemingly) forever has published its last issue. My poem, “Quahog,” is just one of the many fine pieces in this issue: http://www.umbrellajournal.com/winterspring2012-2013/poetry/contents.html
New poems online in the Fall 2012 issue of Per Contra.